(from a recent post on Facebook by Mr. Sascha Williams)
As I saw yet another discussion online, where some Kenpo black belts stated that Ed Parker's Kenpo doesn't teach how to fight grapplers, I thought that I should speak up.
It seems that many people think that since we don't have techniques that start in a compromised grappling hold, that then means we don't train against those attacks.
But that is a false conclusion.
Here's what a lot of black belts don't understand:
Kenpo trains us to cancel the INITIATION of a grappling attack, rather than the CONCLUSION of it. (This is often different in many grappling arts. Most wrestling matches start AFTER both opponents have already grabbed each other.)
But in Kenpo, we don't use that approach.
Saying that Kenpo doesn't defend against a mounted guard position (for example) is the illogical equivalent of saying that Kenpo doesn't defend against guns, because we don't have any techniques that start at the moment when the attacker already put a bullet in us.
When obviously, we reacted too late.
Saying that Kenpo doesn't cancel grappling attacks is just as ridiculous of an idea as saying that Kenpo doesn't defend against kicks and punches, AFTER THE FACT! ("How come Kenpo doesn't have a good technique that I can use AFTER my opponent broke my jaw with a right punch, and knocked me out with a left punch? I thought Kenpo is against strikes!")
So, imagining a fight where you failed to react in time, and instead allowed the opponent to CONCLUDE his attack, is not going to provide a practical solution. ALL fighting systems would fail at that point.
For Kenpo street fighting, we don't allow our opponent to get a grappling hold set up in the first place. THAT is the survival tactic.
Just like in a gun defense, you don't wait until your opponent aims at your head and pulls the trigger. You react to PREVENT the setup. You're not supposed to stand there and allow it!
Every move of every Ed Parker technique needs to be practiced against a possible strike of your opponent, but also against a possible grab, hold, lock, or takedown attempt by the opponent.
A grappler can't grapple effectively without using his arms and hands. And in virtually all attempted grappling attacks, the attacker needs to get BOTH of his hands on you first.
And THAT is where Ed Parker's Kenpo shines.
Let's keep in mind, that if you cannot stop a grappler from grabbing you, then how could you stop a puncher from punching you?
That's the question that never gets properly addressed.
If a grappler grabs both of your arms, and you did NOT prevent that, then how could you have prevented him from punching you?
The real issue is actually a psychological one. As strikers, we often DO make the mistake of allowing a grappler to grab us.
And we are guilty of doing that, BECAUSE a grab doesn't seem dangerous enough. ("That's not going to knock me out. That's not going to hurt me.")
But a strike does, so we are more alarmed about that.
But in Kenpo our job is to always recognize the potential danger in ANY of our opponent's attempts. We don't wait until it's too late before we try to counter.
Regardless if the attack is a kick, a punch, a tackle, a hold, a takedown, a knife, a gun, etc.
In Kenpo we prevent. (Rather than retaliate after the fact)
And that's done PRIOR to allowing us to be compromised. And each and every Ed Parker technique teaches us that.
So when you do 5 swords (for example) and you chop the (bent over) opponent to the back of his neck, we don't just think how nicely the next strike (palm to face, first move of extension) flows. Sure, that's great. One strike flows into the next one. But that's only a small portion of why we use this strike.
That palm to the jaw (and following eye hook) is to prevent the opponent from tackling you from his bent over position. That's important to understand.
And a wrestler would be likely to do just that. He sees your legs, he can't straighten his back, but he can EASILY turn this position into an advantage IF we don't expect it.
But many Instructors just aren't aware of this being a part of Ed Parker's Kenpo.
Yet we teach students to change the way they respond to strikes all the time. That's what we're all good at.. We teach our students to not turn away, or close their eyes, or not to just cover their face with their arms, even though that's often our original, natural human response.
But it's ineffective, so we help students to find a better (read: earlier) response. And we drill that a lot. But then, many Kenpo Instructors fail to change the student's original, natural reaction to getting grabbed. Boys in particular, play wrestle. As humans, we're natural grabbers when we fight.
But just like we're not good blockers before starting martial arts training (with many bad habits, like leaning backwards, turning our head away, retracting our arms, when we should extend, etc.)
We also aren't good "grappler checkers". We are usually conditioned wrong here as well (from childhood).
In wrestling, when our opponent grabs both of our upper arms or shoulders (the classic wrestling setup), we are conditioned to grab his arms back. That's what virtually all wrestlers do.
But that's a HUGE mistake, and it now prevents us from using our best tools, which are blocks, checks, and strikes.
It's the law enforcement equivalent of holstering your firearm when you see a suspect with a knife, and pulling out your own knife instead.
There is a reason why cops who face a knife wielding attacker are taught the phrase "The fool brought a knife to a gun fight."
Every Ed Parker Kenpo technique teaches us how to cancel a grappler. But not by waiting, and reacting too late. Many Kenpo practitioners simply do not realize that every position, in every Kenpo technique teaches us the best check(s), and the best strike for that specific situation.
The reason why Hooking Wings (for example) uses an upward elbow after the outward looping back knuckle (4th strike in the technique) is the same reason as ALL strikes in all Kenpo techniques: Greatest probability of success. And that means: He can't block it, because we selected a strike that circumvents any of his possible attempts to stop it. In other words, we use the elbow, because: 1. He can't get either of his arms in there in time to block it, and 2. He can't do anything about his chin being where it is, and being unprotected.
So Kenpo teaches us how to SELECT superior strikes by considering: 1. Which target can I hit that he cannot protect in time? And 2. Which strike can I use that he cannot block in time?
Every single Ed Parker technique answers those two questions.
So, in Hooking Wings, we chose the elbow because there's nothing he can do about his face being exposed, and nothing he can do to prevent us from striking it with our elbow.
THAT is what makes the upward elbow the superior choice in this particular position/situation.
But let's also realize that the elbow perfectly checks the opponent's attempt to "go with" the back knuckle, and try to reach down to grab our legs to knock us on our backs, usually using his shoulder, while grabbing the backs of our legs. If your opponent were to do that, wouldn't you use the elbow to take care of that? Or would you allow him to take you to the ground in order to grapple?
(And if you are, are you sure you're really doing Kenpo?)
I have been in many, many street encounters. I fought single opponents, and multiple opponents. I've been knocked to the ground a few times, but still won my fight. When I had the privilege of studying directly with Mr. Parker, I was simultaneously running my IKKA Kenpo school, and working in loss prevention security. I arrested hundreds of suspects, almost always completely by myself. I had no partner. I had a badge and a set of handcuffs. Nothing else (except Kenpo).
During my private lessons with Mr. Parker, I had discussions with him, regarding my security work. He was quite fascinated with this subject and asked me questions about it. I have also fought in many tournaments, and did very well.
I mention this to demonstrate that I am not talking from a viewpoint of mere theory or imagination or naiveté.
I believe that comprehending the tactical characteristics which I describe here is vital to learning spontaneity in Kenpo. If we don't understand the criteria which make a specific strike superior in a given situation, how could we possibly choose the best way to proceed?
If a student falsely believes that the best next strike is whichever is the most powerful (as an example), it might be easily cancelled by the opponent, and be rendered ineffective. THAT is the problem which Mr. Parker solved. The criteria is always: Highest Probability of Success. Nothing else trumps that. Nothing else is more important than that. And that is what makes Ed Parker's Kenpo the great martial art that it is.
I urge any Kenpo student to take this aspect very seriously. I do. And I do so, because Mr. Parker did so, and designed the techniques around this concept.
P.S.: I am not writing this to criticize other hybrid Kenpo systems, but rather to help those who are committed to furthering their training in unaltered, Ed Parker's Kenpo Karate.
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